Carshalton: All Saints
The Revd David Billin (Associate Rector)
Tel: 0794 660 9387
Parish website: www.carshaltonallsaints.org
Details of all Sunday and weekday services and activities may be obtained from the parish contacts
Patron: Bishop of Southwark
Details of the church
Built: 12th century, restored 19th centured
Architect: restored by Blomfield
Listing: grade 2*
This most interesting church is of obscure origin and has an involved subsequent history, which has resulted in the present large and complicated building.
The church stands adjacent to Carshalton Ponds and a church has stood on this site since the Saxon period. It was mentioned in the Domesday Book but is now probably lost. Further archaeological investigation at a lower level might reveal original Saxon work.
The rebuilt Norman church consisted of a narrow nave and chancel. A north aisle was added about the middle of the 12th century, with an arcade of Norman columns, of which some capitals survive in storage. About 1200, the chancel was lengthened and a south aisle added, the arcade capitals of which are still at present visible. In the 13th century, the west tower arch was widened and buttresses were added to the South Aisle wall.
In the 15th century, the chancel was lengthened, the old piscina reused, a new east window inserted and a new roof added. Early in the 18th century, the east end of the south aisle was raised and new windows inserted and in 1723, the remainder of the aisle was raised. In 1725, a similar upper storey was added to the north aisle, presumably with galleries. At a similar period, a chancel was provided with a reredos and the tower was built or rebuilt in its upper part.
In 1893, the church was enlarged on the north side to the design of Sir Arthur Blomfield and the new chancel built to the north of the old one, with an arch joining the two. The northward extension consisted of a new arcade and nave with a new north aisle beyond. In 1913, the new west end, with its baptistry was added, presumably by Sir Arthur's son, Sir Reginald Blomfield, in conjunction with Edward Crutchloe. The subsequent triptych reredos, over the high altar and the chancel screen, are said to have been added by G. F. Bodley, who probably also designed the font.
Finally, a number of works were carried out by Sir Ninian Comper in conjunction with the Reverend W. R. Corbould, as follows:
Early 1920s - aumbrey in the Sanctuary.
1931-33 - the painting of the triptych reredos, raising of the chancel screen and addition of the balustrade and the iron screen between the Sanctuary and the Lady Chapel.
1931-42 - the organ gallery and case.
1936 - painting of the Lady Chapel reredos.
1938 - painting of the hanging rood.
1938-39 - painting of the Chancel screen, which was finished about 1941.
Shortly after the Second World War were added the curved steps before the screen entrance, font cover, the pulpit sounding board and the stairs and Majesta over the chancel arch.